A fixer-upper to end them all

From the Home and Garden section of the NY Times (all photographs from the NY Times).

This Beaux-Arts pavillion was designed by Stanford White in 1902 for John Jacob Astor IV. This long, low-lying classical building was originally the guest lodge for the Astor estate, but the main house was demolished in the 1940s. It remained an Astor residence into the late 1950s, when the family donated the building to the Catholic church and it became a convent and nursing home.

The fabric of the house decayed until it was bought in 2004, and the new owners began a massive renovation project.

The results are stunning.



The house is decorated in a simple manner with neutral colours, allowing the architecture to shine.





The indoor tennis court, with an iron and glass vaulted ceiling.



NY Times article

Observed in Mayfair

With all the recent comments about David Hicks on the design blogs, I thought I would mention this. I was in the post office on Albemarle Street in Mayfair yesterday (which must be the poshest post office in London), and noticed the most immense parcel addressed to "Ms. India Hicks, c/o The Lady Pamela Hicks . . .".

In the round

Most rooms have the shape of a shoebox: four walls and a simple rectangular floorplan. These are simple to build, with lots of flat surfaces and right angles. However, very occasionally, architects use a little bit of . . . circular thinking.

By far the most famous example of a round room is shown above. The Oval Office is a grand space, over 35 feet long, with three large windows behind the President's desk and a fireplace at the other end of the room. The room is neoclassical in style, in the standard Georgian/Federal mode. However, the room is not original to the White House; it was built in 1909 in the newly constructed West Wing.

Circular rooms tend to be grand, even ostentatious, spaces. And there are few interiors more grand than the entrance hall of Eltham Palace. Part of the finest art deco residential interior in Britain, the elaborate wood paneling and marquetry and the light-filled dome make this room a favourite of Hollywood location scouts. This room requently appears in film, standing in for nightclubs, ballrooms and even the first class lounge of an ocean liner.





The art deco style seems to work particularly well for circular rooms. Here's an example from Location Works, a UK agency for film and photography locations.



And another modernist room, designed by Burnham Hoyt in 1938 (from the Conde Nast store).



Whatever the style, the decision to build a round room is always a little unusual and extravagant. In 1929, Harvey Ladew, heir to a manufacturing fortune, bought a farmhouse in the hunt country of Maryland, just north of Baltimore. As he set about renovating his new home, he was trying to decide where to put an oval Chippendale partners desk. A friend suggested that he build a room around the desk, and Ladew did just that, creating a stunning oval library. Alas, I have been unable to find a picture of the library, but it's possible to visit Ladew's house, along with its elaborate topiary garden -- more details can be found at www.ladewgardens.com.